This week I got the opportunity to see a band I thought I’d never get the chance to. Hailing from Japan, Tricot is an equally mathy, punky, and poppy band with no pretensions or gimmicks. I’ve been a fan since shortly after the release of their debut album “T H E” in 2013, and only became more of one after their latest album, “AND” was released this March. But to think that they’d come to America, with the obvious language barrier and the country’s clear aversion to rock, well that was nothing but a pipe dream. So I was shocked when a little over a month ago when they announced that, yes, they actually WERE coming to America (even naming the tour after the Japanese word for “Finally” or “At last”), and proceeded to snatch a ticket. I’d never heard of the venue and it was over two hours away, but I didn’t give a shit – I was going.
And went I did. I got to the venue and immediately realized that it was perfect – the room was small, there was a bar not ten feet away, and I could literally lean on the stage if I wanted to. And I did, because it was going to be a long two bands and three hours before Tricot took the stage. I say “long” because I was skeptical as hell about the openers, at least to begin with. A local emo band and a noise rock duo seemed like a mismatch for a band like Tricot, but hell, I’ve sat through far worse in service of seeing far better before. I was wrong again, though. The Joint Chiefs of Math were first on stage, and they brought a chaotic blend of noise and instrumental rock, sounding like a much harsher version of Hella and pulling off a plethora of live effects and loops in order to deliver it. As a fan of stuff like Death Grips, Oneohtrix Point Never, and various post rock bands, this was totally hitting the mark for me, and they definitely gained me as a fan by the end of their set. Following them was a local favorite in the shape of Marietta, a band clearly influenced by the likes of early Modest Mouse and American Football. And while they weren’t really up my alley stylistically, they put on a hell of a show by mixing elements of alternative, emo, and even shades of pop punk with a ton of energy and humor, and I could truly tell that they had a fair few fans crammed into this little room.
After seeing the crowd’s reaction to Marietta, I started to have my doubts about just how many people had shown up specifically for Tricot. But my doubts were misplaced, because as soon as they launched into their first song the crowd went off. Almost every head and body was nodding and jumping around, and the band was clearly feeding off of that energy. While the girls might seem diminutive in stature, they certainly make up for it in terms of power – lead guitarist Motifour Kida skipped and danced around, bassist Hiromi Hirohiro hopped like a live wire, and touring (or permanent?) drummer Miyoko Yamaguchi absolutely pounded the shit out of her kit. And while vocalist Ikkyu Nakajima was more cemented to her microphone and guitar out of obvious necessity, she still took a few opportunities to ditch the guitar and break into a dance or even jump into the crowd. This sort of thing can be hard for mathy, intricate bands like Tricot to manage, with some choosing to sacrifice musical perfection for pure energy. But Tricot made it look easy, striking the balance between tight playing and pure fun, and at times even sounding better than the record due to Hiromi’s boosted bass volume. They also had a knack for picking a setlist, too. Among obvious choices like “Pool”, “Oyasumi”, “E”, and “Ochansensu-Su”, they also played less familiar cuts like “Bakuretsu Panie-san”, “Niwa”, and their newest song “Pork Ginger”. As someone who’s been a fan for a while now, it was great to see the songs that first hooked me alongside the ones that I came to love later on, and even being introduced to a handful of songs I wasn’t familiar with already.
All in all, Tricot’s first American show ever was a hell of a ride. Even though it was just shy of the hour mark, the band played with true passion and energy, cramming in as much music and power as possible in the short time they had. No matter what nationality or gender, it’s rare to come across a band that ticks all the boxes in the way this one does, blending technicality, power, and sticky melodies with the conviction and performance to back it up. If you get the chance to see them on this tour, I absolutely suggest that you do, because there’s no guarantee they’ll be back to the States any time soon. They’re well worth the time and money.
The Joint Chiefs of Math: https://thejointchiefsofmath.bandcamp.com/
Tricot’s remaining dates (courtesy of Reddit user androph):
10/16/2015〜 Bar Le Ritz PDB/Montreal, QC
10/17/2015〜 Lee’s Palace/Toronto, ON
10/18/2015 〜 Majestic Café/Detroit, MI
10/20/2015 〜 Empty Bottle/Chicago, IL $
10/21/2015 〜 The End/Nashville, TN
10/23/2015〜 Rubber Gloves Rehearsal Studios/Denton, TX
10/24/2015 〜 Black Barbie/Houston, TX
10/25/2015 〜 Hi-Tones/San Antonio, TX
10/27/2015 〜 Soda Bar/San Diego, CA
10/28/2015 〜 DNA Lounge/San Francisco, CA
10/28/2015 〜 Bootleg Theater/ Los Angeles, CA